Nepal Art Space

Nepal Art Space · Exhibition

History of Nepal, 300 years ago.

An exhibition on the Nepal of three centuries past — the late Malla courts, the Newar artisans who gilded the valley, and the world on the eve of unification. We're building it as a community, and we need you.

Nepali heritage artwork
Detail of traditional Nepali art

Status

In planning — venue & dates being confirmed in Kathmandu.

  • A show in the making

    Join early and help shape the theme, the programming, and the room itself.

  • Rooted in heritage

    Late-Malla courts, Newar craft, and the living history of the Kathmandu Valley.

  • Built by community

    Organizers, volunteers, artists, and partners making it happen together.

  • Late Malla courts
  • Newar craft guilds
  • Paubha painting
  • Temple architecture
  • Repoussé & metalcraft
  • Illuminated manuscripts
  • On the eve of unification
  • Kathmandu · Patan · Bhaktapur

The concept

A valley at its golden hour

Three hundred years ago the Kathmandu Valley was three rival kingdoms — Kathmandu, Patan, and Bhaktapur — each outdoing the other in temples, paubha, and metalcraft.

This exhibition looks back at the Nepal of the early 1700s: the late Malla period, when royal patronage and Newar guilds produced some of the finest art South Asia has seen — gilded struts, repoussé deities, illuminated manuscripts, and paubha scrolls — in the decades before Prithvi Narayan Shah unified the modern state.

We want artists to respond to that world, not just illustrate it: through historical reference, oral history, reinterpretation, photography, and new media. Around the artwork we'll build talks, guided walks, and workshops so visitors leave with a living sense of where Nepal came from.

It only works if we build it together — and that starts with the calls below.

Open calls

Roles we're calling for

Pick the one that fits you — or propose your own. Every role below has a slot in the get-involved form.

Lead

Call for Organizers

Own a workstream and help steer the exhibition from idea to opening night.

  • Project leads for programming, operations, and partnerships
  • Experience running events, shows, or community projects
  • Comfort coordinating people, timelines, and budgets
Apply for this role
Crew

Call for Volunteers

Be the hands and heart on the ground before, during, and after the show.

  • Setup & install, front-desk, crowd flow, and teardown
  • Hospitality for artists, guests, and visiting elders
  • A few hours across install week or opening weekend
Apply for this role
Makers

Call for Artists

Respond to 18th-century Nepal — paubha, sculpture, photography, new media, or research.

  • Original work engaging the theme (any medium welcome)
  • Newar art, Malla-era motifs, oral history, or reinterpretation
  • A short proposal + 3–5 images of recent work
Apply for this role
History

Call for Historians

Help artists get the period right — the courts, customs, and craft of 18th-century Nepal.

  • Knowledge of the late-Malla era and Kathmandu Valley
  • Fact-checking artwork briefs and wall text for accuracy
  • Sharing sources, references, and primary material
Apply for this role
Story

Call for Story Creators

Turn history into narrative — scripts, captions, and stories that give each artwork its voice.

  • Writers, poets, and storytellers in Nepali or English
  • Crafting artwork narratives, labels, and tour scripts
  • Working alongside artists and historians to shape the arc
Apply for this role
Vision

Call for Curators & Researchers

Shape the narrative, sequence the rooms, and ground the show in real history.

  • Curatorial framing and wall-text / catalogue writing
  • Historians of the Malla period and Kathmandu Valley
  • Help sourcing references, archives, and loans
Apply for this role
Support

Call for Sponsors & Partners

Back the exhibition with funding, venue, materials, or in-kind support.

  • Galleries, museums, and venue partners
  • Cultural institutions and heritage organisations
  • Sponsors for printing, framing, and hospitality
Apply for this role
Reach

Call for Media & Outreach

Tell the story — photography, writing, social, and press to fill the room.

  • Photographers, videographers, and designers
  • Writers and social media coordinators
  • Connections to press and community networks
Apply for this role

How we'll build it

What organizing this show takes.

Here's the work ahead. Wherever you see yourself fitting in, there's a place for you on the team.

  • Theme & research

    Anchor the show in late-Malla Nepal — courts, guilds, temples, and the eve of unification.

  • Artwork selection

    Open call, jury review, and a curated mix of historical reference and new response work.

  • Venue & layout

    Secure a gallery, plan the floor, lighting, and the visitor journey through the rooms.

  • Production & install

    Framing, plinths, labels, signage, and a coordinated install and teardown crew.

  • Opening & programming

    Opening night, artist talks, guided walks, and workshops across the run.

  • Logistics & care

    Transport, insurance, handling, security, and safe return of every work.

Partners

Partners & supporters

The exhibition is powered by galleries, institutions, and sponsors who back Nepali art. The tiers below are open — your logo could sit here.

Become a partner

Lead partner

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Supporting partners

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Community partners

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Get involved

Be part of the exhibition

Tell us how you'd like to contribute. A short note is enough to start — we'll follow up with details.

What happens next

Nepal Art Space reviews every submission and follows up by email with the next steps, timeline, and guidelines for your role.

Questions

Good to know

What does "300 years ago" mean for the theme?

Roughly the early 1700s — the late Malla period, when the Kathmandu Valley's three kingdoms drove a golden age of Newar art, paubha painting, and temple craft, just before Prithvi Narayan Shah's unification. Work can be historical, interpretive, or speculative.

Do I need to be a professional artist to take part?

No. We welcome emerging and established artists, students, researchers, and craftspeople. Volunteers and organizers don't need an art background at all — just commitment and care.

Is there a deadline or fee?

Dates are being finalised. There's no fee to apply. Register your interest now and we'll send the timeline, submission guidelines, and venue details as they're confirmed.

Where and when will it be held?

Venue and dates are being confirmed in Kathmandu. Sign up below and you'll be the first to know.

Art advisory

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